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John Doe 2 (80) - The body and spirit


Bartoli - Califano

New Appointment with God in a crisis. Our hero looks back at the time of the first season, in which he get by with situations that are beyond its control (and shocking to think that the powers), especially if people do not believe that he has created in him, or even worse if he does not believe in what it is. Here the test is difficult: legitimize the presence of one of his creatures who do not believe in him. It becomes even harder when the person is to convince a beautiful woman on the wheelchair to which life has hardly ever smile. And if God is love, everything becomes more difficult. The finish, although they all return to a sort of "status quo ante, leaving small openings in the history of evolution that predict interessanti.La Bartoli screenplay is full of a rhetoric which, when as in this case is not overly emphatic, states that it is a pleasure. There is now a mastery of the usual characters that the writing seems to spin smooth smooth. And you can do the same thing with those who appear only in the short space of a register, such as Laura or the genius of this book is clearly of Disneyana. Very good debut of the young Silvia Califano, with a realistic style but also capable of great flights of fancy in the fantasy section with detailed and precise style Elisabetta Barletta. And equally good is the cover of Davide De Cubellis, charging a typical autumnal melancholy over and without sugar.

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Dylan Dog 291 - without tricks or deception

Di Gregorio - Celoni

There is a very original idea behind the story. The reference to "The Prestige", a film by Christopher Nolan with Christian Bale and Hugh Jackman is all too evident. There is however a savoir faire in the management of an argument that threatens to end in the discount, even though many times De Gregorio crush a bit 'hand in certain situations, trying to trap events that knows strength. There is still a good management of the characters, with the usual Dylan Di Gregorio always consistent with his way of being and never caricaturist, more a friend than a Groucho sparabattute, while Bloch appears so little that it can not be "examined". A highlight of the "supporting cast to register" Silvina, the girl assistant of both contenders. And it is the contestants to show the rope. You do not leave because they seem to love the shade of old stereotyping, starting dalll'uomo perfettto which manages everything and going with the loser who cries too much on him. Celoni designs are always a lookout, but they show the sign when there are "full" on the faces of the characters, with connotations that seem too messy. The cover of Stan is probably excellent for the sense of stillness generates the view, but still of good quality and above all of great evocative power.

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Finally a win, but .. .

The last hope of victory in 2010 is entrusted to the Italian rugby match against Fiji, Argentina and Australia more affordable. The national group nostrana Masi wing in place as the center of Welcome and Sgarbi.
After the usual "Food" Fijian, (the dance equivalent all'Haka), begins with the first time in Italy that starts later, but the Fijian attack and take the measures Italy with a very physical rugby as their usual . The superiority in the open door and is visible the goal of Talemaitoga. Italy tries to fight back and thanks to the Fijian, not really disciplined, are a marker that puts in Mirco Bergamasco. Italy uses so the superiority of the pack and find a new mixture for punishment. Mirco Bergamasco realizza.Quando but still seek the Fijian game speed are bad: both placed in H realizes that Bai Italian. Compounding the difficulties Italian, resulting in the yellow Castrogiovanni new punishment carried out by Bai near the end of the first half, which ends 9-16.
The second half saw a more resolute in defense of Italy, with a good test of the second line always accurate and not just in touch. To bring the points are still placed of an infallible Mirco Bergamasco, who on three occasions to leave their mark on the scoresheet markers and bringing Italy in the lead for the first time. Despite some errors of naivety, Italy manages to harness the Fiji now without any stimuli and that also kicks wrong with Bai. With different stages in the attack and come close in six more points with double Mirco, the last almost close to the final whistle.
Ends 24-16, with too many worries of mind and awareness to save Italy that have been brought up the foot of a scrum Bergamasco and always at high levels. There is work, in view of the 6 nations and world.

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A defeat (a little 'more) Mrs A missed opportunity

rehearsal world. The Italrugby address the Aussie in the group stage, and is prepared with the test match which sees Gori debut in the role of scrum half in place of Derbyshire Tebaldi as they enter, and Orquera Sgarbi for Barbieri, Gower and Masi.

Ready away and after two minutes there is already placed the first Australian Barnes realized easily. To Italy lacks the cynicism to be dangerous, something that they do Australians go meta with Mitchell converted by Barnes. Shortly thereafter is the footballer in pectore Mirco Bergamasco to make a marker that shortens the distance but the responding closely By return Barnesin still the usual version that puts sniper placed within another. Italy loses some hours' of enamel and is forced to defend itself, after all cavandosela. A marker of Orquera, more accustomed to soccer Bergamasco, requires the intervention of the TMO but eventually buono.Sono Australians still in control of the game, but do not affect much for the very good defensive performance on the part of 'Italy, with a scrum in large dusting. Mirco Bergamasco in the closing seconds of the time a grant and Italy should be below 4. 9-13 is a score but Italy still allows too rewarding to highlight progress since the match against Argentina.

The second half opens with a strong-willed Italy that builds fine but must yield to the usual polite foot Barnes (who does not regret Giteau), which repeats almost immediately brought back the Aussie to +10, and again after a very foul whistled to doubt Italian when there was a side entrance of the second line of kangaroos Sharpe. The gap is now larger, maybe too much, and no sign of quitting: again and again placed Barnes. Italy has some momentum on offense: In one of these attempts, he tries Parisse but the ball nearly escapes before being captured by Barbieri forward with an almost invisible to deposit it over the goal line. The TMO, once again, gives reason to Italy, but does not transform Bergamasco. There is time for an error of Barnes in football and the game goes to the final whistle and it looks must end with this score but a melee sleep offers the perfect to Elsom, who turns Barnes.

ends 14-32 for the Kangaroos, but there's a good defensive compactness blue and found a positive debut of Gori.

Isabella Soprano Cathou

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must have the opportunity to beat Argentina, remodeled in all departments. And in fact Italy have a strong Barbieri Bergamasco and Welcome new wing (adjusted) started well and went to press several times the Pumas. Mirko Bergamasco also takes kicks from far away but that is wrong, while it's better to position nearest to the blue wing moves placed the scoresheet for the first time, but Contepomi replied, after a wrong turn. It is a great game by the score and pace, he moves to another Mirko placed it answers the same Contepomi. The end of the first half was 6-6. The later lives of some more accelerated pace, but Argentina took advantage of going in half with amnesia Italian Rodriguez. Contepomi's foot is accurate. Then Italian so much pressure, but disorganized. You try to even the score and instead place it goes into touch to find the goal. There you go around twice, in vain. Bergamasco then takes the path of the poles, the shorter distances. But Italy is foul and Contepomi kicked two places between the posts. Now the blues is not that pride, until a penalty try awarded to Castrogiovanni, then transformed by Mirko. Among the positive note for the Azzurri, the new grafts that were well behaved and a surprisingly effective in touche, while concerned about the apathy of the key men as captain Parisse. Next meeting on Saturday in Florence against an Australia that is very difficult opponent.

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Rat - Man 81 - The swan song of superheroes.


RAT - MAN COLLECTION 81: THIS IS THE LAST BATTLE

Conclusion monolithic, able to occupy an entire roll of un'esalogia: the Rat is the presence men in tights in a crisis of conscience. The superheroes, those who have been admired in the population and want to emulate in Rat-Man, perhaps trying to go against legitimacy. In the middle of a flooded New York from heroes who may not feel as such, Rat-Man, aided by the usual comic shoulder "Sense of nano" in this issue less effective because more sparring partners, with the unexpected stroke of genius in ' Using a character like Gambanelli, of which the reader does not believe there until they stretch Battle Captain. Orton continues in the footsteps of the previous issue, looking for more lyricism that fun, but with a good result. The small moments of life that could be, in which there anyway comedians, rip it smiles tristezza.Oltre veiled in this story, there is the usual nod to Kirby with the story of Captain Battle against the Green Skull, perhaps with some references grasped only by fans . Then there is the spiderman instead appears almost suddenly, disrupting the plans of superheroes, while acknowledging that some sort of moral authority, do not send down the disenchantment when the latter reveals their substantial futility. And New York embraces them, not figuratively, writhing on his old guards. But as always happens, there is redemption (see episode Gambanelli): Rat-Man becomes a guide and men in tights become aware of their situation and move toward the light that leads to the legend. And so Rosie, who did not believe in superheroes, after this experience looks Rat-Man, about to return to the unnamed city, with different eyes.

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Dylan Dog Giant 19

New Giant, old format: two long and two short stories. Cover not excellent, perhaps too much "black" which gives an idea too didactic.

Belvì TOWN '

of Mignacco-Piccatti

Sad return for a character much loved by the audience Dylan Seline. Despite a good idea, the story lives on moments of vagueness too pronounced to bring it forward in a structured way: now is modeled cliché that ultimately affect the product in terms of predictability, as well as some logical holes. Having said that, Selina is still effective, and apart from the usual supporting cast of other characters you remember little or nothing to the thickness, while Dylan is faithful. Piccatti has a few flashes in a test quite subdued, with vignettes pulled away for a bit far from the best of times, such as the original episode.

SELF

in March - Dall 'Agnolo

Marzano packs an enjoyable story, although without cues. Perhaps too short to try to develop the theme, quite intriguing, properly completed and is perhaps in a hurry too. This makes the cost of the characterization of the characters, who, being already in itself a limited number appear to do enough to the cause of history: Dylan himself is not the usual homework, but Ralph is well built even if it appears for a time too limited, while Sheila seems a bit 'caricaturist. Dall'Agnol designs, albeit with a trait evolved, are enjoyable in their ability to create atmosphere.

THE Penitent

of Ruju-Freghieri

Bravo Ruju to baste a good story, who lives of twists on established a solid narrative structure. Top of the impact and gradually enter into a tunnel that can shine through a psychological journey never granted. Dylan does his duty very well even though sometimes as in the final moments of lives that collide with the "status quo ante," Mattie is an appropriate controaltare holding fine. Groucho very well and Bloch, a bit 'less successful characters in Pelham, too stereotyped and Braddock, a bit' monotonous. The drawings show the usual cleaning Freghieri but conspicuous by their expressiveness.

CONFESSION

of Gualdoni - Glass

Test Gualdoni convincingly, that in the short span of a few pages develops a story that can captivate for voltage but also feeling. Too bad for the finale too melodramatic. I These figures mark a few tables allowing remember: the psychology of Dylan is very well made, especially in contrast to Sanders, of them being the tendency "bardic" Danielle and for its ambiguity captures the interest of the reader. The Glass, newcomer to the drawings, has a long way, though not outstanding for keeping up a standard feature Bonelli.

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