Will 100mm Wheels Fit In A Razor Scooter

Dylan Dog Giant 19

New Giant, old format: two long and two short stories. Cover not excellent, perhaps too much "black" which gives an idea too didactic.

Belvì TOWN '

of Mignacco-Piccatti

Sad return for a character much loved by the audience Dylan Seline. Despite a good idea, the story lives on moments of vagueness too pronounced to bring it forward in a structured way: now is modeled cliché that ultimately affect the product in terms of predictability, as well as some logical holes. Having said that, Selina is still effective, and apart from the usual supporting cast of other characters you remember little or nothing to the thickness, while Dylan is faithful. Piccatti has a few flashes in a test quite subdued, with vignettes pulled away for a bit far from the best of times, such as the original episode.

SELF

in March - Dall 'Agnolo

Marzano packs an enjoyable story, although without cues. Perhaps too short to try to develop the theme, quite intriguing, properly completed and is perhaps in a hurry too. This makes the cost of the characterization of the characters, who, being already in itself a limited number appear to do enough to the cause of history: Dylan himself is not the usual homework, but Ralph is well built even if it appears for a time too limited, while Sheila seems a bit 'caricaturist. Dall'Agnol designs, albeit with a trait evolved, are enjoyable in their ability to create atmosphere.

THE Penitent

of Ruju-Freghieri

Bravo Ruju to baste a good story, who lives of twists on established a solid narrative structure. Top of the impact and gradually enter into a tunnel that can shine through a psychological journey never granted. Dylan does his duty very well even though sometimes as in the final moments of lives that collide with the "status quo ante," Mattie is an appropriate controaltare holding fine. Groucho very well and Bloch, a bit 'less successful characters in Pelham, too stereotyped and Braddock, a bit' monotonous. The drawings show the usual cleaning Freghieri but conspicuous by their expressiveness.

CONFESSION

of Gualdoni - Glass

Test Gualdoni convincingly, that in the short span of a few pages develops a story that can captivate for voltage but also feeling. Too bad for the finale too melodramatic. I These figures mark a few tables allowing remember: the psychology of Dylan is very well made, especially in contrast to Sanders, of them being the tendency "bardic" Danielle and for its ambiguity captures the interest of the reader. The Glass, newcomer to the drawings, has a long way, though not outstanding for keeping up a standard feature Bonelli.