Number of transition, but that puts a lot 'of irons in the fire. Back Recchioni texts, and it shows: the touch "rock" of the Roman Empire is well represented in all of history. Despite this, there are echoes surreal, see the trip to the desert with the spirit guide, quote simpsoniana (maybe) and the trip to the bowling of the kingdom, Futurama quote (perhaps ever). The plot begins to stir landscape significantly, thanks to the intrigues between the Castillo and the higher realms, while John dusts off an old friend, the Prophet, and correcting a wrong done him makes him even Pope to try again to seek converts, and then gain power . Very particular the conversation between the old Pontiff John Doe and dying as a God who reveals perhaps the distance of the human from the divine. In all this hubbub, the various strands inevitably going to clash, since the number seems to be even if the protagonist has already sensed what might happen. But perhaps it is the handling of characters that leave a bit 'perplexed: an important character is introduced as a Prophet too extemporaneously, giving almost for granted that you know whatever. Apart from this, there is the usual skill of Recchioni in being able to play with the New Golden Boy-God, as well as a particularly inspired touch in the usual supporting cast, from Castillo (who has become recently), the good old Pesitlenza, Kobayashi even if it only a usual occurrence and supporting actor is not 100%. Although it is mainly the new character, the Prophet, to be strongly evocative.
The alternation of the most classic settings of other surreal Luca Genovese gives the opportunity to indulge his sudden strong but sometimes humorous, able to characterize moments, faces and locations with great visual power and they are very evocative.
De Cubellis is exceeded again, the acid tones, as if they were in a bad movie, give an alienating effect of the cover, the faces of the Prophet and John Doe oozing with great imaginative power rage and pain the first second, posting net with the background serves to give more power its treatment. The only flaw, an excess of cartoons with the "star" on the face of John Doe and is struck by the bat of the Prophet.
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